Ryan Blotnick
RYAN BLOTNICK
MUSIC NEEDS YOU
Ryan Blotnick is a 24-year old NY-based guitarist and composer and this is his first CD. It deserves to put him on the map with jazz fans. A little background: Ryan, who cites Wes Montgomery, Pat Metheny, Jim Hall, and Joe Pass as early guitar influences, studied with Gene Bertoncini at William Paterson University and then spent four years at the Rytmisk Musikkonservatorium (Rhythmic Music Conservatory) in Copenhagen, earning a BA and MA in Music Performance. Since returning to the US he has been performing with Pete Robbins and Centric, Michael Blake, Tyshawn Sorey, Akoya Afrobeat Ensemble and his NY quintet Secret Mainstream. The present quintet was put together for a Spanish tour last spring – Albert Sanz and American drummer Joe Smith live there.
The compositions are all originals by Ryan plus a touching ballad by Pete Robbins. The groupʼs aesthetic encompasses all the classic jazz virtues while sounding fresh and contemporary. In much of the music there seems to be a lyrical, almost nostalgic tone reminiscent perhaps of the west coast sound, and a bittersweet emotional resonance one might associate with jazz standards of the Ellington/Cole Porter era. Ryan comments:
“Listeners often complain that new jazz lacks melodies, or doesnʼt have a steady beat, or is self-indulgent. I think it is the musiciansʼ responsibility to prove them wrong. When I sit down to write, I feel like I should try to stick to standard forms, time signatures, etc., unless I have a justification for straying from that. The language of those standards is the common language that all jazz musicians share – and without that, improvisation can become very arbitrary or detached….I think people remember melodies almost the way we remember smells – one whiff of wood smoke or perfume and it stimulates all kinds of memories and emotions within us. Everyone has a huge number of melodies and musical structures stored in their minds, and I think tapping into them is the key to creating music that people really respond to.”
“Iʼm also just naturally drawn to some of the rich harmonies that only really come about when they are planned ahead of time. In this music Iʼm combining jazz harmony (chords with lots of extensions), rock harmony (simple chords), and classical counterpoint-based harmony where harmonies are created by superimposed melodic lines. Iʼve been studying Schoenbergʼs Theory of Harmony, and have been reshaping the way I hear chord progressions. Iʼm trying to go for that sound that you hear a lot in classical music from the turn of the last century where the chords are moving fast and in such a smooth way that you get kind of lost in them. The great thing about this band is that you can bring in a chart with those Wayne Shorter-type harmonies and everyoneʼs approach works over that – then you play something free or groove-based and the same qualities are still there. I think if you can get a group sound playing over forms and changes, it really opens up possibilities for other kinds of improv.”
“I donʼt usually play in groups with acoustic piano, but Albertʼs style is so spacious – a few of the songs here were written specifically with him in mind doubling bass lines, and playing chords to free me up a little. Iʼve played a lot with Pete and we always work well together. He has that percussive approach that kind of balances out the group. Joe Smith and Perry Wortman are very soulful musicians that really lock up well, and they go for a real group sound instead of the showy modern jazz thing. It is hard to get this group together but I feel like itʼs worth it.” A New York/New England CD release tour is in the works.
Click here for downloadable cover art for Music Needs You
For bios and more information on the performers: www.ryanblotnick.com, www.myspace.com/ryanblotnick, www.peterobbins.com, www.albertsanz.net, www.myspace.com/perrywortman, http://cdbaby.com/cd/joesmith. The complete interview is at
www.songlines.com/interviews/musicneedsyou.html.
Previous page: Chris Gestrin
Next page: Mort Weiss - SMS Jazz